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The Top Short Films of Celluloid Screams 2016!

Posted in Horror Festivals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 13, 2016 by Hayley's Horror Reviews

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At horror festivals, fans and film enthusiasts alike are treated to a selection of short horror films created by talented filmmakers that are currently taking the underground, indie circuit by storm. The feature films normally take centre stage however in his year’s Celluloid Screams line up the short films proved to be just as striking, some even thought provoking and others were downright weird! (but more on that later). So, here goes, these are the top shockingly good short films of Celluloid Screams 2016. As always these are my own views and not a reflection on the overall panel vote.

10. Death Metal (2016)

  • Directed by Chris McInroy
  • USA, 5 Minutes

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Perfectly placed before The Devil’s Candy, Death Metal is a loud and proud, gore-fuelled spectacle. With similar vibes to last year’s Deathgasm about a satanic guitar that unleashes hell on earth, Death Metal is a rocking black comedy that promises “riffs that shred”, literally! It’s a laugh out loud, thrill ride that’s perfect for the horror festival crowd. Watch this one LOUD!

9. Gwilliam (2015)

  • Directed by Brian Lonano
  • USA, 6 Minutes

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Where to even start with this one? Gwilliam is one of those moments in life where you watch something you completely cannot erase. Bordering between the disgusting, the bizarre and the comedic, Gwilliam is certainly a unique piece of genre cinema! Crow Hands director Brian Lonano takes the crazy up to max level as an ex-con (played by William Tokarsky) is released from prison looking for a night of fun with a hooker. The build up of Gwilliam is done exceptionally well as it’s unclear where the narrative is heading and boy, isn’t it a surprise! Expect the unexpected, once watched, you will never forget your Gwilliam…this short film means what it says!

8. Do You See What I See (2016)

  • Directed by Justin McConnell and Serena Whitney
  • USA, 14 Minutes

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Sloan (Caleigh Le Grand) is reluctant about attending her overbearing sister Jessica’s (Jorja Cadence) annual Christmas party. With all the garish Christmas iconography imaginable, Sloan goes through the motions, that’s until an uninvited guest gatecrashes with very little festive cheer causing madness and mayhem for the warring sisters. Do You See What I See has the makings of a classic slasherific Christmas flick. The performances are believable especially the increasing tension between Sloan and Jessica. The short showcases strong, kick-ass women who take matters into their own hands once the stakes are raised. From a filmic perspective Do You See What I See takes influence from iconic slasher films e.g. Peeping Tom, Halloween and The Burning to create a sinister effect, seeing things through the killer’s eyes with several POV shots. Intense and well executed, Do You See What I See guarantees you’ll be dreaming of a Black Christmas!

7. Dawn of the Deaf (2016)

  • Directed by Rob Savage
  • Canada, 12 Minutes

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In this hard hitting short focused on a minority group, Dawn of the Deaf raises the bar with the traditional apocalyptic horror narrative. With similar techniques to Mike Flannagan’s Hush, the audience is placed in the point of view of the hard of hearing characters and the world around them. A sonic pulse infects the hearing, now it’s up to the deaf community to band together in a fight for survival. Dawn of the Deaf is a layered offering and uses the survival concept in more ways than one, it centres on abuse, sexuality and coping with disability prior to any fantastical horror element. The film portrays the vulnerability of the deaf extraordinarily however the tables do turn depicting the strength within the community. As spoke about during my Ghostface Girls Facebook live video, there is a stunning moment where sign language is used and the camera pans around the characters, some of the subtitled dialogue is missed out proving to be incredibly effective. Dawn of the Deaf is a poignant and moving short.

6. The Disappearance of  Willie Bingham (2015)

  • Directed by Matthew Richards
  • Australia, 12 Minutes

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The Disappearance of Willie Bingham contained the most controversial and disturbing subject matter out of all the short films on this list. A new kind of torturous, radical punishment has been put in place for the worst kinds of criminals, and Willie Bingham is the first to undergo this method. This film conveys the internal thoughts of the majority of society who feel strongly about the lack of justice projected at murderers, rapists and pedophiles and this is a somewhat cathartic experience. The vulnerable and afraid side of the criminal is portrayed as the family are permitted to exact their brutal revenge as slowly as possible. Kevin Dee in the title role is exceptional as his character is paraded around by authoritative officials and made an example of. It’s a powerful piece of film that raises difficult questions in relation to the justice system and the treatment of despicable criminals. The Disappearance of Willie Bingham  deserves to be seen and talked about.

5. Ink, Cocks & Rock ‘N’ Roll (2017)

  • Directed by Matt Harlock
  • UK, 15 Minutes

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Ink, Cocks & Rock ‘N’ Roll is an innovative, cleverly executed, documentary style short that presents the work of controversial comic book artist Steve Martin (no, not the bloke from Father of the Bride!) and his perverted alter ego Krent Able. It’s psychologically chilling as the film challenges the concept of spilt personality and questions whether there’s a thin line between Steve and the monstrous side to him. Is Krent just a fictional character stemmed from his imagination or something much worse? Fourth wall breaking and filled with edgy art work in it’s believable set up, Ink, Cocks & Rock and Roll is one to look out for in 2017.

4. Mindless (2016)

  • Directed by Katie Bonham
  • UK, 8 Minutes

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Mindless is a thought-provoking psychological horror directed by the talented Katie Bonham. Taking away the horror subtext, the subject of Mindless is very real as it focuses on the care of the vulnerable within British society. Peter (Nicholas Vince- Hellraiser & Hellbound: Hellraiser II) is a senile man, living alone; each day his house is torn apart much to the horror of his patient care worker Judy (Kate Danbury). Peter has no recollection of how his home got into the state it has and becomes frustrated with Judy, blaming her. Determined to get Peter into a care home for his own safety and well-being, Judy is about to get more than she bargained for, is Peter’s declining memory the real issue or is there a more sinister presence at play? Mindless brings an important subject matter to light, it’s a topic that can be very difficult to talk about however Bonham does a tremendous job portraying it on screen. It’s bleak from the outset in it’s tone and cinematography creating a psychologically unnerving atmosphere. Nicholas Vince gives an exceptional performance as Peter, playing him with a sense of vulnerability and confusion that allows the audience to garner empathy for him. Kate Danbury also brings in a strong performance as the frustrated care worker doing her best to help him. Mindless is a film that will resonate with audiences as it draws on issues that many can identify with. Katie Bonham has created a powerful film on a low budget that demonstrates a film can leave a long lasting impression without traditional scare tactics or elaborate special effects. It’s no surprise that Mindless continues to win awards all around the world.

3. Imitations (2016)

  • Directed by Milos Mitrovic and Fabian Velasco
  • Canada, 10 Mintues

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Who doesn’t love a bit of Canadian Film Collective Astron-6? They are certainly one of a kind with their off the wall brand of humour. Imitations is another of their unforgettable and bizarre offerings, centring on a lonely YouTuber named Arnold (Milos Mitrovic) who gets plastic surgery to look like his idol “21 Year Old Baby” singing sensation Austin Kelsey (Conor Sweeney). Arnold begins to experience strange side effects following his operation, forcing him to take drastic measures when he attends his eagerly awaited karaoke night. Everything about this short is laugh out loud hilarious and strange. The entire cast look like they’re having a blast, Milos Mitrovic and Conor Sweeney are both fantastic as well as Divorced Dad, Matthew Kennedy. Imitations is an entertaining short that must be seen to be believed. If you loved Father’s Day and loved The Editor, then you’ll love Imitations.

2. Kookie  (2016)

  • Directed by Justin Harding
  • Canada, 13 Minutes

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Bree, a disobedient nine year old is taught a valuable lesson from a sinister visitor after breaking the rules set by her mother involving a creepy cookie jar. Kookie is a slow burning, genuinely comedic short that will certainly be appreciated by fans of creepy clowns. The child actress is superb as young Bree, playing the troublemaker role with menace. Harding ensures that the audience are kept on edge as he builds on the tension with the unnerving clown iconography. A thrilling and funny short, that will ensure that children should behave!

  1. Overtime (2016)
  • Directed By Craig D. Foster
  • Australia, 9 Minutes

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For a huge fan of An American Werewolf in London, it’s no surprise that Overtime, a werewolf themed, dark comedy takes the top spot. Comedic tension is at play as poor Ralph (Aaron Glenane) urgently attempts to get home from work but a series of obstacles get in his way. Overtime is a real delight to watch as poor Ralph attempts to make his exit before it’s too late. The joke is on those around him from his boss to romantic interest who risk unleashing the beast by stalling him. The special effects are incredible and are a spectacle to watch as Ralph’s body morphs into something inhuman. Aaron Gleane gives a brilliant performance as the tormented werewolf. Overtime is a lot of fun and a brilliant homage to one of horror’s most iconic monsters.

Hayley Alice Roberts

Hayley’s Horror Reviews.

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Top 5 Celluloid Screams Moments (So Far!)

Posted in Horror Attractions, Horror Festivals with tags , , , , , , , , , , , , , , , , , , , , , , , on September 9, 2015 by Hayley's Horror Reviews

September 10th marks an exciting date for horror fans as passes for Sheffield’s Horror Festival Celluloid Screams are set to go on sale. Not only that, Rob Nevitt and his team will announce the line-up of what’s in store for 2015!

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This will be my fifth year attending Celluloid, which takes place at The Showroom Cinema. Not only does the festival put together a phenomenal programme each year with an eclectic selection of films that define the genre in different ways; and brings in a number of special guests that have made an impact on the genre as a whole. Through the festival I’ve established some great friendships and made connections with genre fans and filmmakers alike.

So as we wait to uncover the mystery of what shocks and scares we will be encountering on October 23rd-25th, here’s a list of my top 5 moments that the Sheffield Festival has offered up so far.

  1. Inbred (2011)

Inbred was the first film that I ever saw at Celluloid Screams and it ended up becoming one of my favorite horror films of all time. Certainly a cult classic in the making, Inbred was accompanied with a Q&A from a number of cast members including Seamus O’Neill, Dominic Brunt and Jo Hartley. Thanks to Celluloid and the discovery of Inbred I then went on to work with some of the cast members on a short zombie film called Ascension and led a Q&A with director Alex Chandon at my local horror festival Aberoir.

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Review & Q&A Videos of Inbred.

Alex Chandon Q&A Videos

2. Sping & Resolution (Aaron and Justin Q&A’s). (2012 & 2014)

Aaron Moorhead and Justin Benson have been two of Celluloid’s most memorable special guests. Thanks to the festival I was introduced to two of their groundbreaking feature films that takes horror in a whole different direction, Resolution in 2012 and Spring in 2014. On both appearances the directorial duo have given some quirky, engaging and entertaining Q&A’s and always take their time to talk to their fans during the festival.

Resolution Review.

Spring Review.

3. Night Breed: The Cabal Cut (2012)

Since I was a young horror fan, Clive Barker’s NightBreed was always a film I desperately wanted to see. Packed with unusual imagery, the tale of creatures living underground in a whole undiscovered world from our own was something that greatly appealed. I’m glad my first experience of Night Breed was on the big screen with the restoration making it the film that Clive Barker had always intended rather than the slasher-style version the studios cut it down to on its original release. Switching between the grainy unused footage and the polished existing footage was an interesting cinematic experience. Through Celluloid and Night Breed I met the lovely Nicholas Vince, Simon Bamford (also of Hellraiser fame), Hugh Ross and Russell Cherrington, the restoration director and still keep up to date with all their upcoming projects.

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NightBreed Review & Q&A Videos.

4. The Editor and Astron 6! (2014)

Again, if it wasn’t for Celluloid I never would have discovered the Canadian Collective that is Astron-6. Last year’s festival was literally an Astron-6  takeover as we were treated to a screening of The Editor, a bizarre and hilarious homage to the giallo sub-genre as well as a showcase of their exceptionally cool short films, Cool Guys, Bio-Cop and Breaking Santa being personal highlights! Adam Brooks, Connor Sweeney and Matthew Kennedy were special guests and gave us an insight into their weird and wonderful career so far.

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Short Review of The Editor

5. Der Fan (2013)

Without Celluloid Screams I would never have discovered this little gem. Der Fan is an obscure 80s German film that prior to the screening, Caitlyn and I thought it was going to be a recent film! Der Fan is one of those films where you won’t believe what you’re watching! It begins innocently enough as badly-dubbed exploitation film then it turns into completely something else! Der Fan has to be remembered for the longest sex scene in horror cinema history! We still hold out hope that Der Fan with its timeless theme of obsessive fandom would be ideal for the remake treatment!

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Celluloid Screams Review of Der Fan.

Women in Horror Month: Der Fan.

So that’s it for now, my highlights of the festival so far! So fellow Celluloid Screamers, what have been your favorite moments from over the years? Comment, facebook or tweet to @HayleyR1989 with #CelluloidScreamsMoments.

Bring on 2015!

Hayley Alice Roberts.

Hayley’s Horror Reviews.

Hayley’s Top 10 Genre Films of 2014.

Posted in Ghostface Girls, Horror Festivals, Love Horror with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 23, 2014 by Hayley's Horror Reviews

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It’s that time of year again to reflect on which films struck a chord and made a lasting impression. For me the genre has continued to impress throughout 2014 offering up a variety of different contenders to select from. There’s been psychological scares and strange shocks making 2014 a real interesting year for horror. The films this year have dared to be more experimental taking our beloved genre in whole new directions and there have been some impressive performances all round. You may notice that there’s been a bit of a Australian and Canadian invasion this year as both countries have taken the genre by storm. The choices on this list will evidently be subjective so please comment if you agree or disagree with my picks. Without further ado, here is my highly recommended horror of 2014:

 10. The ABC’s of Death 2 (2014)

Directed By Various

Country: USA, Canada, New Zealand, Israel, Japan.

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The ABC’s of Death 2 surprisingly defied expectations, greatly improving on the 2013 original anthology. With a clearer direction this time around, the chosen 26 directors each created compelling and strong segments that went from being creative to grotesque to darkly humoured. The ABC’s of Death 2 is guaranteed to have something to please horror fans. Stand out segments include Julian Barratt’s comical B is for Badger, Larry Fesenden’s Halloween-esque N is for Nexus, Juan Martinez draw-dropping S is for Split and Jerome Stable’s brutal V is for Vacation. The ABC’s of Death 2 is one of the strongest anthology films of recent years.

Read my full review here. 

9. Stage Fright (2014)

Directed By Jerome Stable.

Country: Canada

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Stage Fright cleverly combines the slasher film with the musical movie in this twisted homage that screams Andrew Lloyd Webber meets Friday the 13th. After the brutal death of her Broadway star mother ten years ago, Camilla Swanson auditions for the role she made famous in the revival of the summer camp production of The Haunting of the Opera. Whether the curtain will rise on opening night is another matter as a masked maniac takes to the blade bumping off the cheerfully camp cast and crew one by one. Stage Fright has the makings of a cult musical with its genre hybridity and its tongue planted firmly in its cheek. Allie MacDonald gives a star performance alongside Meat Loaf and Minnie Driver. There’s some catchy and well crafted musical numbers from a range of genres as well as an Iron Maiden-esque killer! Stage Fright is a lot of fun while incorporating a dark tone and supplying plenty of gore!

Read my full review here.

8. Perfect Sisters (2014)

Directed By Stanley M. Brooks

Country: Canada

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Abigail Breslin gives the performance of the year in Stanley M. Brooks’s true crime thriller surrounding teenage sisters who callously murdered their alcoholic, deadbeat mother in the bathtub in 2003. Based on the case known as ‘The murder of Linda Anderesen’Perfect Sisters draws the audience into a dark and depressing place that carefully depicts how two young girls are driven to murder and their downward spiral in the aftermath. Abigail Breslin and Georgie Henley are two actresses to keep an eye out for as they deliver powerhouse performances and depict a convincing sisterly bond when playing the notorious Andersen sisters. Perfect Sisters provides an insight into the early days of the internet and the dark side of being able to find anything online. Exceedingly grim in tone and utterly compelling, Perfect Sisters will leave you captivated until the devastating end.

Read my full review here.

7. Pieces of Talent (2014)

Directed By Joe Shauffer

Country: USA

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Pieces of Talent came as one of the most exceptional genre indie flicks of the year. In concept it’s something us hardened horror fans have seen all before but it needs to be commended for how it takes a traditional psycho killer storyline and does something completely experimental with it which works especially well. Pieces of Talent doesn’t hold back on the brutality as it tells the tale of an aspiring actress named Charlotte played by Kristi Ray who’s down on her luck. Stuck in a dead end job with far greater dreams, things appear to turn around for her when she develops a wonderful friendship with amateur filmmaker David (played by Writer David Long). David is one deranged director who offers Charlotte an opportunity to star in his latest independent film. David expects his actors to take method acting to a whole other level leaving Charlotte with more than she ever bargained for. Horrific and arty Pieces of Talent is one unusual meta film that deserves to be seen by everyone who likes their horror brutal and bloody made by filmmakers who are willing to take risks, offering up something much more diverse.

You can now see the movie for free on the official website: http://piecesoftalent.com/amissingpiece/

Read my full review from Love Horror.

6. Tusk (2014)

Directed By Kevin Smith

Country: USA. 

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Tusk is a movie that’s difficult to forget once viewed. It creates an unexplainable strange feeling that leaves a lasting impression. A podcast host named Wallace (played by Justin Long) visits Canada to interview the latest internet sensation the Kill Bill Kid. Upon his arrival he finds himself at the funeral of his interview opportunity, but little does he know something far more sinister and extraordinary awaits him. Answering an ambiguous letter he spots at a convenience store, Wallace embarks on a journey that leads him to an isolated mansion inhabited by the elderly Howard Howe (Michael Parks). After being drugged, the maniacal Howe plans to perform some amateur surgery on Wallace in order to transform him into a Walrus! Tusk is probably one of the more bizarre films seen this year particularly from a big name director mostly known for his successful comedies. Tusk combines dark humour with twisted set pieces and a surprising emotional impact creating a disturbing cinematic experience where you won’t know whether to laugh or be horrified.

Read my full review here.

5. The Canal

Directed By Ivan Kavanagh 

Country: Ireland

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Forget mainstream haunting films such as Insidious or The Conjuring; look no further than this Irish independent chiller. The Canal delivers a classic old school ghost story that creeps under the skin. Thought-provoking and incredibly terrifying The Canal depicts the harrowing ordeal of a single father following the mysterious murder of his adulterous wife. Traumatized film archivist David played powerfully by Rupert Evans, keeps the audience with him for the entire time as he comes to terms with all consuming grief while suspecting that he’s being haunted by the former sinister inhabitants in his house. There’s a fantastic supporting role from Steve Oram as the suspicious police detective and Callum Heath who plays David’s young son Billy is the most adorable child actor in any horror film. The relationship between father and son and naturalistic chemistry guarantees we become invested as the film plays out. The Canal keeps up intrigue making the plot twists even more gut-wrenching as they unfold. Ivan Kavanagh achieves a great deal on a low budget that it’s hard to believe the film wasn’t made with a lot more money than it was. The Canal is an unforgettable atmospheric piece.

Read my full review here.

4. Chocolate Strawberry Vanilla (2013)

Directed By Stuart Simpson

Country: Australia

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There’s something about ice cream and horror that fits together nicely from the Cornetto trilogy to 2011’s Some Guy Who Kills People, and this Australian offering is no exception. Stuart Simpson’s compelling, unconventional feature is a strong character study of an introverted ice cream van driver who develops an intense and unhealthy obsession with a cheesy Australian soap actress. Warren Thompson, played by the phenomenal Glenn Maynard is a man on the edge. He faces daily abuse from the local thug and struggles to come to terms with the accidental death of his pet cat.  His only solace comes in the form of soap opera Round the Block which he watches religiously but how long will it take before poor Warren snaps?! Maynard whole heartedly carries the film in a heartbreaking and unforgettable performance. Chocolate Strawberry Vanilla provides an insight into the real horror of humanity and blurs the lines between reality and fantasy coming in as one of the year’s most captivating films.

Read my full review here.

3. The Babadook

Directed By Jennifer Kent

Country: Australia

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The Babadook is arguably the most hyped up film of 2014 and it absolutely deserves the praise it receives. It isn’t quite what it seems which is completely why everybody can’t stop talking about it. Its title of ‘Scariest Movie of the Year’ is absolutely justified as while initially it may not have a significant impact, its after viewing when you sit and think about it, it crawls under the skin and infiltrates the darkest corner of your mind. It’s an effective psychological horror film that keeps up a sense of dread as it focuses on a widowed single mother unable to cope with the premature death of her husband and struggling to raise her increasingly difficult young son born on the night of the fateful accident that claimed her husband’s life. One evening Amelia (played by the outstanding Essie Davis) reads an ambiguous bedtime story to son Samuel (Noah Wiseman) called Mister Babadook. The book’s origins are unknown but what follows is a series of nightmare fuel as a dark fantasy turns into reality…or does it? Cleverly The Babadook allows for interpretation as it acts as a metaphor for mental illness and bereavement. Essie Davis delivers one of the best performances witnessed all year while young Noah Wiseman proves to be a dynamic young actor as troubled Samuel. Beyond disturbing, The Babadook is a must-see for 2014. Jennifer Kent’s feature debut is no doubt a future classic and really breaks the barriers in horror cinema for female filmmakers to come.

Keep telling yourself: There’s no such thing as The Babadook…dook…dook!

Read my full review here.

2. The Editor

Directed By Adam Brooks and Matthew Kennedy

Country: Canada

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The Editor was one of the most popular films that toured the festival circuit this year. The latest film from Canadian film-collective Astron-6, makers of crazy, 80’s action throwback Manborg is an affectionate homage to the Italian giallo sub-genre. The Editor doesn’t require its audience to have an extensive knowledge of giallo in order to get something out of it as it maintains to be downright entertaining throughout. Its hands down this year’s most visually stylish film with its deep, intense lighting and perfectly framed shots of classic giallo iconography. The Editor tells the tale of famed editor Rey Ciso (Adam Brooks) who becomes embroiled in a number of violent murders. What follows is a series of crazy events that’ll blow your mind! Its an appreciation of an era of horror that reigned from the 1960’s-1980’s and goes all out to capture the tone of those types of films particularly with its Goblin inspired soundtrack. Along the way we meet an aray of colourful characters performed outstandingly by the likes of Paz de la Huerta, Matthew Kennedy, Conor Sweeney, Laurence R. Harvey, Udo Kier and Tristan Risk. The Editor isn’t afraid to push the boundaries and has fun with what it does, it’s rip-roaringly funny with its intentional dubbing and hilarious one liners. Astron-6 share a unique sense of humour and there is no one out there quite like them. The Editor is one film I could most certainly watch over and over again, preferably joined by a glass of Italian red to fully get into the spirit!

1. Spring (2014)

Directed By Aaron Moorhead and Justin Benson

Country: USA

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Aaron Moorhead and Justin Benson’s second feature, Spring proves how impressive this directorial duo have become. Following the success of 2012’s Resolution, Moorhead and Benson continue to explore in-depth human relationships in this romantic monster movie that incorporates its own mythology. When Evan tragically loses his mother to cancer he makes a life altering decision and travels to Italy for some much needed soul searching. However he gets more than he bargained for when he is captivated by a beautiful and enigmatic woman named Louise. The two embark on a passionate relationship that at the same time enthrals and frightens them both. Lou Taylor Pucci and Nadia Hilker have an undeniable on-screen chemistry as their characters experience the mysterious early stages of a new relationship. What’s wonderful about Spring is that it takes its time to develop its two leading characters allowing us to get invested in them. It’s never clear cut which direction the film will take which keeps us mesmerized and unable to take our eyes off the screen, a credit to Benson’s screenplay. Moorhead’s cinematography is breath-taking and really makes use of the spectacular locations. These two are some of the most interesting filmmakers of recent years as they don’t play by the rules and create something totally unique, placing their individual mark on the genre. They do something different and do it exceptionally well. Spring is my top pick of 2014 as it’s the most well written, thought-provoking and beautiful film that’s emerged from the genre this year.

Read my full review here.

Honourable Mentions: Housebound (2014), New Zealand, What We Do In The Shadows (2014), New Zealand, The Sacrament (2013), USA and The Guest (2014), USA. 

Head over here for podcasts and articles from my collaborative project Ghostface Girls and check out our joint top 5 genre films of the year video:

Thank you for reading. I’d like to wish my fangtastic readers a spooktacular Christmas and New Year. Let’s hope 2015 has such sights to show us after a phenomenal 2014!

Hayley Alice Roberts

Hayley’s Horror Reviews.

Shocktastic Scares at Sheffield: What’s going on in Celluloid Screams 2014!

Posted in Horror Attractions, Horror Festivals, Press Release with tags , , , , , , , , , , , , , on September 5, 2014 by Hayley's Horror Reviews

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The eagerly anticipated line-up was announced today for Sheffield’s scariest film festival, Celluloid Screams. One again Rob Nevitt and team didn’t disappoint with a selection of sinisterly intriguing features and shorts. Already announced was the opening gala film, The Editor with special guests Astron-6 in attendance. The Editor looks set to be a throwback to the giallo sub-genre with a retro feel, setting the perfect tone for the festival’s beginning. Astron-6 are the centre of Celluloid’s annual, “The Short Film’s Of…”, which showcases an insight into the work of a particular filmmaker. Astron-6 will no doubt bring some crazy horror to Celluloid’s blood splattered screen!

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Producer and Director Brian Yuzna was also announced as Celluloid’s main special guest this year. Known for Bride of Re-Animator (1989), Beyond Re-Animator (2003),  and The Dentist (1996) plus several others, Yuzna is a frequent collaborator with director Stuart Gordon (Re-Animator 1985) and will be partaking in a Q&A about is contribution to the horror genre and helping bring H.P Lovecraft’s work to life. He will also be presenting special screenings of Dagon (2001) which looks the most appealing, Bride Of Re-Animator (included in the all-nighter) and Society (1989) giving us a sense of his interesting career in the genre.

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While not every film I was particularly hoping for is in the line-up (there’s always the secret film!); there is plenty in store to satisfy all our gore-hungry appetites! What We Do in the Shadows, a New Zealand vampire mockumentary has tongue-in-cheek written over it, coming across as a laugh-out-loud horror comedy.

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Starry Eyes, is one of the most intriguing films on offer with a sense of pure darkness surrounding it, there seems to be an Argento-type familiarity at play as it tells the story of a young, aspiring actress who falls prey to the lure of fame and fortune.

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Suburban Gothic is the second feature from Excision director Richard Bates Jr, while his first film was a mixed bag of mesmerizing visuals up against a strongly unlikeable protagonist, Suburban Gothic feels a lot more watch-able. Raymond (Matthew Gray Gubler) is forced to move back in with his domineering parents, following being kicked out of his apartment. Raymond has always inhabited a special gift of communicating with the paranormal,  and is soon put to the test when a vengeful spirit starts terrorizing his small town. Its Tim Burton meets John Waters (who makes a cameo in the trailer!).

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Celluloid are also welcoming back Aaron Moorehead and Justin Benson following their fantastic participation at the 2012 festival with their feature Resolution. Their next offering is Spring a darkly fascinating piece focused on a young man who flees to Italy and subsequently begins a romance with a mysterious woman. Spring is described as “Beauty and the Beast by way of Linklater and early Cronenberg”making it sound all the more enthralling.

For those of you who are hardcore, you get a chance to enjoy and endure the All-Nighter, featuring screenings from cross-over Sci-Fi movies including Maximum Overdrive, Killer Klowns from Outer Space and Night of the Creeps. 

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One of the most exciting addition’s is the screening of The ABC’s of Death 2, showcasing 26 new directors with 26 new ways to die, judging by the trailer it looks like this sequel has certainly upped its game with plenty of crazy gore for us to feast our eyes on. We look forward to seeing segments from Jen and Sylvia Soska, Aharon Keshales, E.L Katz, Dennison Ramalho plus many more.

Dead Snow 2: Red Vs Dead gives the impression of an absolute crowd-pleaser and will certainly close the festival on a high what more could we want other than a bloody, zombie comedy!

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Ghostface Girls (myself and Caitlyn Downs) will be attending, my fourth festival and her second. Look out for plenty of coverage videos around late October-early November. Plus a new video coming soon!

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All that’s left to say is bring on the blood, guts, gore, vampires and nazi zombies!

Celluloid Screams 2014 potentially could be the best yet!

24th-26th October.

Hayley Alice Roberts.

Hayley’s Horror Reviews.

Celluloid Screams 2014, First Announcement.

Posted in Horror Festivals with tags , , , , , on August 8, 2014 by Hayley's Horror Reviews

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October isn’t too far away and other than Halloween the most eagerly anticipated event of the month for me is Celluloid Screams Horror Festival that takes place at the Showroom Cinema in Sheffield. It was announced today that the festivals opening film will be Canadian film-maker’s Astron-6’s, The Editor.  Regular attendee’s will remember 2012’s screening of the epic Manborg, from the production company, however this time round they are giving us a twisted take on the giallo genre. It wouldn’t be Celluloid Screams without a giallo homage so what better way to kick off 2014’s phenomenal festival!  What makes it even more ace is American Mary’s Tristan Risk and The Human Centipede 2’s Laurence R. Harvey will be starring in it. The poster for The Editor is enough to generate plenty of excitement with its retro style. The bleeding editing reel perfectly captures exactly what horror festivals are all about!

Celluloid Screams is running from the 24th-26th October.

Visit: http://celluloidscreams.co.uk/firstfilms2014/ for more info on the festival and for The Editor trailer.

Hayley Alice Roberts.

Hayley’s Horror Reviews.