Archive for Jaqueline Castel

Shocktastic Shudder Shorts

Posted in Short Scares, Uncategorized with tags , , , , , , , , , , , , on June 16, 2017 by Hayley's Horror Reviews

Since it’s launch in October 2016, the horror equivalent to Netflix and streaming service, Shudder UK has provided fans with accessible access to genre movies with a click of a button. Featuring a comprehensive selection of movies, separated into creepy collections, the eclectic mix ensures that the service offers up something for everyone whether it be Giallo’s, American Slashers, Monster Movies or Ghostly Going’s-On.

ShudderUK

While, Shudder is excellent for supplying old favorite movies and popular Arrow Video titles, to name a few, since using the service from last Autumn, Shudder’s standout aspect is it’s assortment of  featured ‘exclusives’. Shudder imparts a platform for lesser known, underground short films and brings the work of underrated indie filmmakers to the forefront. The service gives the opportunity for viewers to experience films that would otherwise fade into obscurity as far as the mass public are concerned.

In this review, I am going to discuss some of the most well-crafted, interesting pieces of short films currently included on the channel.

The Puppet Man (2016)

  • Directed by Jaqueline Castel

puppet man

The Puppet Man is a intensely lit, stylish throwback to the 1980’s heyday of horror. John Carpenter’s influence is monumental especially as he features in an ironic cameo and the synth-charged, irresistible score is acquired from his debut studio album, ‘John Carpenter’s Lost Themes’. The plot itself is a little thin on the ground but, The Puppet Man works as a stylish spectacle playing on internal fears and hysteria. The aesthetic construction of the titular character is reminiscent of the iconic Freddy Kruger as he stalks and scares a young woman and her friends in a sleazy, neon-drenched deserted bar. When horror is reflected on as a genre to this day, the noteworthy figures that come to mind are of course the stalking slasher’s of ‘the golden era’ e.g. Michael Myers and Jason Voorhees who have never gone out of style. The Puppet Man includes seductive visuals and a booming soundtrack. Celebratory of it’s past influences, The Puppet Man expresses this within it’s whole core.

I Want You Inside Me (2016)

  • Directed by Alice Shindelar 

IWYIM

When viewing this short it’s difficult not to draw comparisons with 2014’s surprise hit, It Follows. The two share an identical subject matter acting as a metaphor for the dark side of becoming sexually awakened. I Want You Inside Me is a slow burner that joins up elements of body horror with a coming of age story, which of course was done extra successfully with 2016’s RAW. CJ (Abigail Wahl) decides to lose her virginity but when her first sexual encounter enigmatically disappears, even though unnerved she cuts her losses and moves onto the next one. In one sense this short breaks the “stigma” of expressive female sexuality being portrayed negatively, i.e. just because a woman is comfortable and provocative with her sexuality does not mean she should be labelled with derogatory connotations. However at the same time this short could be deemed as ‘overly feminist’ when it’s revealed that her male conquests don’t exactly fare well. I Want You Inside Me is an uncomfortable watch and quietly grotesque. It’s conspicuous title is literal and leaves the viewer feeling abruptly cold by the end. This film certainly had a great deal to convey but isn’t strongly executed. There’s no denying that it’s well made and beautifully shot but it comes across as mystifying in terms of what it sets out to achieve. As an audience are we intended to root for CJ and view her behavior as “powerful” and “liberating”? I Want You Inside Me is a perplexing watch, the characters aren’t particularly likable and it tries too hard at combining it’s oddness with a taboo subject matter.

He Took His Skin Off For Me (2014)

  • Directed by Ben Aston

hthsofm

Out of the narrative-driven, fictional shorts, He Took His Skin Off For Me is the one that struck a chord. It would be easy to presume that this film is affecting primarily based on the physicality of the skin removal alone. However, it’s the underlying emotionally-charged subtext that makes this film haunting and long lasting in the mind. Told via voice-over, He Took His Skin Off For Me centers on a couple in a domestic setting. Events take a twisted and bizarre turn when the male takes his skin off at the request of his girlfriend, but it soon transpires that the act of flesh removal wasn’t the best idea! Cue, a lot of iciness involved and strands of normality such as cleaning won’t be the same again. The tone vergers on peculiar, sometimes even funny but its ultimately melancholic. It has been a while since I’ve experienced something so absorbing and unusual. Director Ben Aston, accomplishes the contrast between every day domesticity and pure body horror to an exceptional degree. That alone, makes this film so mesmerizing. He Took His Skin Off For Me is visceral horror at it’s best, while stating that you should never change yourself for anyone underneath the foregrounded horror. Even if a layer is removed the problems and issues will still exist and are worsened which this film takes to the absolute extreme. The make up effects are astonishing with a realistic edge. Aston’s vision and use of metaphor is unforgettable with this piece and is Shudder content that I can’t recommend enough.

Primal Screen (2017)

  • Directed by Rodney Ascher

primal screen

Primal Screen has been making an impression on social media as of late. Teased to become a series, and like with all good suspense, Shudder are keeping us in anticipation. Primal Screen is a horror shaped gift and due to the incredible quality of it, viewers are dying for more! Rodney Ascher (Room 237, The Nightmare) directs this fascinating visual documentary which taps into primal childhood fears and questions how uncanny imagery can make us truly afraid and furthermore how surprising components can lead us to overcome these fears later in life. As someone who grew up feeling unnerved by creepy dolls which partly led me to become besotted by horror films and seek out more and more dark material, this documentary is highly relate-able. Primal Screen is not your average, paint by numbers, talking heads documentary. Ascher is an innovative visual storyteller who contextualizes the imagery used in order to get his vision across. There’s a beginning, middle and end that sees where the fear materialized, how it effectively spiraled before reaching a content resolution, told over five intertwining segments. Primal Screen is powerful filmmaking, the horror genre rinses and repeats itself so many times so it’s therefore refreshing to see a more inventive take on familiar material. Ascher delves into deep psychological concepts such as the rational vs the irrational, and the uncanny valley. The final result is well a structured and thought provoking documentary offering. Primal Screen is one to look out for as Shudder continues to develop it’s brand and introduces more original content to satisfy horror hungry audiences.

Hayley Alice Roberts

Hayley’s Horror Reviews

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