Archive for Justin Long

Hayley’s Top 10 Genre Films of 2014.

Posted in Ghostface Girls, Horror Festivals, Love Horror with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 23, 2014 by Hayley's Horror Reviews

word Horror

It’s that time of year again to reflect on which films struck a chord and made a lasting impression. For me the genre has continued to impress throughout 2014 offering up a variety of different contenders to select from. There’s been psychological scares and strange shocks making 2014 a real interesting year for horror. The films this year have dared to be more experimental taking our beloved genre in whole new directions and there have been some impressive performances all round. You may notice that there’s been a bit of a Australian and Canadian invasion this year as both countries have taken the genre by storm. The choices on this list will evidently be subjective so please comment if you agree or disagree with my picks. Without further ado, here is my highly recommended horror of 2014:

 10. The ABC’s of Death 2 (2014)

Directed By Various

Country: USA, Canada, New Zealand, Israel, Japan.


The ABC’s of Death 2 surprisingly defied expectations, greatly improving on the 2013 original anthology. With a clearer direction this time around, the chosen 26 directors each created compelling and strong segments that went from being creative to grotesque to darkly humoured. The ABC’s of Death 2 is guaranteed to have something to please horror fans. Stand out segments include Julian Barratt’s comical B is for Badger, Larry Fesenden’s Halloween-esque N is for Nexus, Juan Martinez draw-dropping S is for Split and Jerome Stable’s brutal V is for Vacation. The ABC’s of Death 2 is one of the strongest anthology films of recent years.

Read my full review here. 

9. Stage Fright (2014)

Directed By Jerome Stable.

Country: Canada


Stage Fright cleverly combines the slasher film with the musical movie in this twisted homage that screams Andrew Lloyd Webber meets Friday the 13th. After the brutal death of her Broadway star mother ten years ago, Camilla Swanson auditions for the role she made famous in the revival of the summer camp production of The Haunting of the Opera. Whether the curtain will rise on opening night is another matter as a masked maniac takes to the blade bumping off the cheerfully camp cast and crew one by one. Stage Fright has the makings of a cult musical with its genre hybridity and its tongue planted firmly in its cheek. Allie MacDonald gives a star performance alongside Meat Loaf and Minnie Driver. There’s some catchy and well crafted musical numbers from a range of genres as well as an Iron Maiden-esque killer! Stage Fright is a lot of fun while incorporating a dark tone and supplying plenty of gore!

Read my full review here.

8. Perfect Sisters (2014)

Directed By Stanley M. Brooks

Country: Canada


Abigail Breslin gives the performance of the year in Stanley M. Brooks’s true crime thriller surrounding teenage sisters who callously murdered their alcoholic, deadbeat mother in the bathtub in 2003. Based on the case known as ‘The murder of Linda Anderesen’Perfect Sisters draws the audience into a dark and depressing place that carefully depicts how two young girls are driven to murder and their downward spiral in the aftermath. Abigail Breslin and Georgie Henley are two actresses to keep an eye out for as they deliver powerhouse performances and depict a convincing sisterly bond when playing the notorious Andersen sisters. Perfect Sisters provides an insight into the early days of the internet and the dark side of being able to find anything online. Exceedingly grim in tone and utterly compelling, Perfect Sisters will leave you captivated until the devastating end.

Read my full review here.

7. Pieces of Talent (2014)

Directed By Joe Shauffer

Country: USA


Pieces of Talent came as one of the most exceptional genre indie flicks of the year. In concept it’s something us hardened horror fans have seen all before but it needs to be commended for how it takes a traditional psycho killer storyline and does something completely experimental with it which works especially well. Pieces of Talent doesn’t hold back on the brutality as it tells the tale of an aspiring actress named Charlotte played by Kristi Ray who’s down on her luck. Stuck in a dead end job with far greater dreams, things appear to turn around for her when she develops a wonderful friendship with amateur filmmaker David (played by Writer David Long). David is one deranged director who offers Charlotte an opportunity to star in his latest independent film. David expects his actors to take method acting to a whole other level leaving Charlotte with more than she ever bargained for. Horrific and arty Pieces of Talent is one unusual meta film that deserves to be seen by everyone who likes their horror brutal and bloody made by filmmakers who are willing to take risks, offering up something much more diverse.

You can now see the movie for free on the official website:

Read my full review from Love Horror.

6. Tusk (2014)

Directed By Kevin Smith

Country: USA. 


Tusk is a movie that’s difficult to forget once viewed. It creates an unexplainable strange feeling that leaves a lasting impression. A podcast host named Wallace (played by Justin Long) visits Canada to interview the latest internet sensation the Kill Bill Kid. Upon his arrival he finds himself at the funeral of his interview opportunity, but little does he know something far more sinister and extraordinary awaits him. Answering an ambiguous letter he spots at a convenience store, Wallace embarks on a journey that leads him to an isolated mansion inhabited by the elderly Howard Howe (Michael Parks). After being drugged, the maniacal Howe plans to perform some amateur surgery on Wallace in order to transform him into a Walrus! Tusk is probably one of the more bizarre films seen this year particularly from a big name director mostly known for his successful comedies. Tusk combines dark humour with twisted set pieces and a surprising emotional impact creating a disturbing cinematic experience where you won’t know whether to laugh or be horrified.

Read my full review here.

5. The Canal

Directed By Ivan Kavanagh 

Country: Ireland


Forget mainstream haunting films such as Insidious or The Conjuring; look no further than this Irish independent chiller. The Canal delivers a classic old school ghost story that creeps under the skin. Thought-provoking and incredibly terrifying The Canal depicts the harrowing ordeal of a single father following the mysterious murder of his adulterous wife. Traumatized film archivist David played powerfully by Rupert Evans, keeps the audience with him for the entire time as he comes to terms with all consuming grief while suspecting that he’s being haunted by the former sinister inhabitants in his house. There’s a fantastic supporting role from Steve Oram as the suspicious police detective and Callum Heath who plays David’s young son Billy is the most adorable child actor in any horror film. The relationship between father and son and naturalistic chemistry guarantees we become invested as the film plays out. The Canal keeps up intrigue making the plot twists even more gut-wrenching as they unfold. Ivan Kavanagh achieves a great deal on a low budget that it’s hard to believe the film wasn’t made with a lot more money than it was. The Canal is an unforgettable atmospheric piece.

Read my full review here.

4. Chocolate Strawberry Vanilla (2013)

Directed By Stuart Simpson

Country: Australia


There’s something about ice cream and horror that fits together nicely from the Cornetto trilogy to 2011’s Some Guy Who Kills People, and this Australian offering is no exception. Stuart Simpson’s compelling, unconventional feature is a strong character study of an introverted ice cream van driver who develops an intense and unhealthy obsession with a cheesy Australian soap actress. Warren Thompson, played by the phenomenal Glenn Maynard is a man on the edge. He faces daily abuse from the local thug and struggles to come to terms with the accidental death of his pet cat.  His only solace comes in the form of soap opera Round the Block which he watches religiously but how long will it take before poor Warren snaps?! Maynard whole heartedly carries the film in a heartbreaking and unforgettable performance. Chocolate Strawberry Vanilla provides an insight into the real horror of humanity and blurs the lines between reality and fantasy coming in as one of the year’s most captivating films.

Read my full review here.

3. The Babadook

Directed By Jennifer Kent

Country: Australia


The Babadook is arguably the most hyped up film of 2014 and it absolutely deserves the praise it receives. It isn’t quite what it seems which is completely why everybody can’t stop talking about it. Its title of ‘Scariest Movie of the Year’ is absolutely justified as while initially it may not have a significant impact, its after viewing when you sit and think about it, it crawls under the skin and infiltrates the darkest corner of your mind. It’s an effective psychological horror film that keeps up a sense of dread as it focuses on a widowed single mother unable to cope with the premature death of her husband and struggling to raise her increasingly difficult young son born on the night of the fateful accident that claimed her husband’s life. One evening Amelia (played by the outstanding Essie Davis) reads an ambiguous bedtime story to son Samuel (Noah Wiseman) called Mister Babadook. The book’s origins are unknown but what follows is a series of nightmare fuel as a dark fantasy turns into reality…or does it? Cleverly The Babadook allows for interpretation as it acts as a metaphor for mental illness and bereavement. Essie Davis delivers one of the best performances witnessed all year while young Noah Wiseman proves to be a dynamic young actor as troubled Samuel. Beyond disturbing, The Babadook is a must-see for 2014. Jennifer Kent’s feature debut is no doubt a future classic and really breaks the barriers in horror cinema for female filmmakers to come.

Keep telling yourself: There’s no such thing as The Babadook…dook…dook!

Read my full review here.

2. The Editor

Directed By Adam Brooks and Matthew Kennedy

Country: Canada


The Editor was one of the most popular films that toured the festival circuit this year. The latest film from Canadian film-collective Astron-6, makers of crazy, 80’s action throwback Manborg is an affectionate homage to the Italian giallo sub-genre. The Editor doesn’t require its audience to have an extensive knowledge of giallo in order to get something out of it as it maintains to be downright entertaining throughout. Its hands down this year’s most visually stylish film with its deep, intense lighting and perfectly framed shots of classic giallo iconography. The Editor tells the tale of famed editor Rey Ciso (Adam Brooks) who becomes embroiled in a number of violent murders. What follows is a series of crazy events that’ll blow your mind! Its an appreciation of an era of horror that reigned from the 1960’s-1980’s and goes all out to capture the tone of those types of films particularly with its Goblin inspired soundtrack. Along the way we meet an aray of colourful characters performed outstandingly by the likes of Paz de la Huerta, Matthew Kennedy, Conor Sweeney, Laurence R. Harvey, Udo Kier and Tristan Risk. The Editor isn’t afraid to push the boundaries and has fun with what it does, it’s rip-roaringly funny with its intentional dubbing and hilarious one liners. Astron-6 share a unique sense of humour and there is no one out there quite like them. The Editor is one film I could most certainly watch over and over again, preferably joined by a glass of Italian red to fully get into the spirit!

1. Spring (2014)

Directed By Aaron Moorhead and Justin Benson

Country: USA


Aaron Moorhead and Justin Benson’s second feature, Spring proves how impressive this directorial duo have become. Following the success of 2012’s Resolution, Moorhead and Benson continue to explore in-depth human relationships in this romantic monster movie that incorporates its own mythology. When Evan tragically loses his mother to cancer he makes a life altering decision and travels to Italy for some much needed soul searching. However he gets more than he bargained for when he is captivated by a beautiful and enigmatic woman named Louise. The two embark on a passionate relationship that at the same time enthrals and frightens them both. Lou Taylor Pucci and Nadia Hilker have an undeniable on-screen chemistry as their characters experience the mysterious early stages of a new relationship. What’s wonderful about Spring is that it takes its time to develop its two leading characters allowing us to get invested in them. It’s never clear cut which direction the film will take which keeps us mesmerized and unable to take our eyes off the screen, a credit to Benson’s screenplay. Moorhead’s cinematography is breath-taking and really makes use of the spectacular locations. These two are some of the most interesting filmmakers of recent years as they don’t play by the rules and create something totally unique, placing their individual mark on the genre. They do something different and do it exceptionally well. Spring is my top pick of 2014 as it’s the most well written, thought-provoking and beautiful film that’s emerged from the genre this year.

Read my full review here.

Honourable Mentions: Housebound (2014), New Zealand, What We Do In The Shadows (2014), New Zealand, The Sacrament (2013), USA and The Guest (2014), USA. 

Head over here for podcasts and articles from my collaborative project Ghostface Girls and check out our joint top 5 genre films of the year video:

Thank you for reading. I’d like to wish my fangtastic readers a spooktacular Christmas and New Year. Let’s hope 2015 has such sights to show us after a phenomenal 2014!

Hayley Alice Roberts

Hayley’s Horror Reviews.

Abertoir 2014 Review: Tusk (2014)

Posted in Horror Festivals with tags , , , , , , , , , , , , , , , , , , on November 20, 2014 by Hayley's Horror Reviews


This may be a controversial statement  but despite Housebound and What We Do in the Shadows completely winning over the audience at this year’s Abertoir Festival, and deservingly so, the marmite offering within this year’s line-up that divided the audience was the film that unexpectedly caught my attention.


Since the unveiling of the trailer at the San-Diego comic con a few months ago, Tusk immediately piqued my interest. It struck me as a harmless comedy with a wacky concept and to a degree it is, however the second only UK screening at Abertoir generated a mix of shock, laughter and general unease.

It’s not often that a mainstream movie amongst a line-up of innovative independent films would garner this amount of appreciation, particularly from me, but Tusk is guaranteed to tip the equilibrium and lingers in the mind, long after viewing.

Ashamedly Kevin Smith’s work is not something I’ve sought out over the years; at most I only recall the Jay and Silent Bob cameo in Scream 3 (2000) that drew any awareness of him. Most popularly known for buddy comedies including Jay and Silent Bob Strike Back, Smith found fame following his low-budget 1994 success Clerks. The film was picked up by Miramax and won awards at both Cannes and Sundace Film Festivals, leading to a prosperous career for Smith. Tusk is Smith’s second attempt in dabbling in the horror genre, following a mixed bag in the shape of his 2011, action-horror-thriller Red State.

Tusk’s conception formed on Smith’s joint podcast show, SModcast with producing partner Scott Mosier. In their episode ‘The Walrus and the Carpenter’, the two discussed an obscure article surrounding an advertisement on Gumtree (the online community) where a homeowner was offering a free living arrangement if the person lodging would agree to dress as a walrus! A completely out of the box idea, Smith and Mosier were onto something and asked the audience to tweet #WalrusYes if they’d like to see this strange story translated onto the big screen. The campaign was evidently successful and it turned out the initial article had been a prank. Chris Parkinson who had initiated the bonkers practical joke and a long-time fan of Smith then became associate producer.  Tusk is therefore an amalgamation of being semi-autobiographical hybridized with an unexpected inspiring idea.


Wallace Bryton (Justin Long) and Teddy Craft (Haley Joel Osment) are popular podcast-hosters with their politically incorrect show title, The-Not-See-Party. The two poke fun at famous youtube videos, leading Wallace’s put-upon girlfriend Ally (Genesis Rodriguez) to accuse him of selling out through being mean in order to generate views. Wallace gains the opportunity of interviewing youtube sensation the Kill Bill Kid (based on a real life case) famed for severing his own leg and must take a trip to Canada. With the set-up in place, little does Wallace know that something far more dark and disturbing awaits him when he answers an ambiguous advertisement to meet with a lonely old man with the ‘promise’ of lots of stories to tell. The crazed man Howard Howe (Michael Parks) tells a tale of how he was once rescued by a Walrus who he named Mr. Tusk and how the walrus was the only real creature he ever connected with. What comes next is a series of cruel yet dark humoured events that sees Wallace endure a transformation that he’d never imagined.

Tusk is an absolutely fascinating film. It’s essentially Smith’s signature buddy comedy style crossed with conflict and drama that’s mixed in with disturbing horror and the suspense/thriller narrative. It’s a real genre-bender but somehow it works well. It defies the expectations that the trailer sets, Tusk is actually very uncomfortable viewing. It’s rare that a film manages to keep up both laughs and agitation throughout and balances them on an equal scale.


Justin Long plays the loveable douche with Wallace. He’s slightly obnoxious, shallow and driven but underneath the bravado there’s a genuine side to him and he certainly garners empathy once horrible and despicable things happen to him. Ultimately he’s the anti-hero we root for.


Michael Parks is a delight as the insane Howard Howe. He plays the character as menacing, unhinged but also comical that makes him even more complex and disturbed and fantastic to watch.

michael parks

No character in the film is flawless and Wallace’s allies Teddy and Ally are far from the loyalist of friends but despite this they will do all they can to ensure Wallace’s safety that adds to the devastating aspect of the film.

Tusk (2014) trailer (Screengrab)



In a surprise cameo, Johnny Depp, an exceptional character-actor, despite his Hollywood status still displays versatility for playing weird  and quirky roles. His novelty character Guy LaPointe (originally offered to Quentin Tarantino) is a welcome addition, he brings in a sense of hope as he aids Ally and Teddy to Wallace’s whereabouts while adding plenty of  unconventional comic relief.

In two breakout performances, young actresses Harley Quinn Smith (Kevin Smith’s daughter) and Lily-Rose Depp (Johnny Depp’s daughter) play the snarky and unamused convenience store clerks who are one step ahead of everyone else. They have the most memorable one liners within the film, and their importance will soon be signified in the follow-up film, the spin-off Yoga Hosers, with them and Depp’s LaPointe as the main focus.


Tusk is often compared to body horror shocker The Human Centipede. While the comparisons are justified in the sense of it’s a film about transforming humans into animals for some sick gratification. Tusk is different beast as its not gratuitous, the surgical scenes are crafted in a way where its left to the imagination. The transformation is literally quite something. The script is a lot smarter and Tusk allows us to care about the characters involved. The set design is stylish with the grand and isolated mansion to the brightly coloured convenience store which contrast each other greatly showcasing that balance of terror and humour.

Tusk gets under the skin in an unexpected fashion with its unusual tone and its slow-burn. It’s a freaky cinematic experience that incorporates hilarity and discomfort. It’s an ambitious film that is pulled off brilliantly. One you watch it, you won’t be able to stop thinking about it.

Hayley Alice Roberts.

Hayley’s Horror Reviews.