Archive for scream

What’s Your Favourite Scary Movie? 20 Years of Scream.

Posted in Anniversary Pieces with tags , , , , , on December 19, 2016 by Hayley's Horror Reviews

It started with a sinister phone call and ended in a bloodbath. The genre-defying horror movie of the 1990’s turned twenty years old this week commemorating it’s USA release on the 18th December 1996. It wasn’t released in the UK until May 1997. Scream was one of the first films that pulled me into horror and without a doubt has left a lasting impression. Back in 1996 following the surge of popcorn slasher flicks throughout the 1980’s, the genre fell into a rut. It’s very common to hear that Scream was the film that had revitalized the slasher film as it challenged and critiqued all the tropes and conventions fans had become all too familiar with. While the early 90’s did produce some great horror films such as Candyman (1992), Misery (1990) and of course Wes Craven’s New Nightmare (1994) which broke new ground and brought the Elm Street franchise into a fresh new light, Scream is always the film that is viewed as the turning point for horror.

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What stands out about Scream is it’s slick, post-modern and scary. It brought the slasher film into an updated setting ready for the next generation of gore lovers. Both the tension and comedy aspects are well balanced in equal measure. At the time the most striking element of Scream was it’s ability to re-create a traditional slasher narrative while being self-referential and poking fun at itself. Having characters who knew and loved the genre well and used their knowledge to survive was ground-breaking stuff. Of course, the most iconic moment is the opening sequence which made the statement that “all bets are off” and “absolutely no one is safe”. The killing off of Drew Barrymoore’s Casey Becker was a genius idea proving that Scream wasn’t afraid to take risks.

DREW BARRYMORE Film 'SCREAM' (1996) Directed By WES CRAVEN 18 December 1996 SSI32760 Allstar Collection/DIMENSION **WARNING** This photograph can only be reproduced by publications in conjunction with the promotion of the above film. For Editorial Use Only

I can’t recall a time where I wasn’t aware of the existence of Ghostface. The costume was always popular around Halloween season and seemed to draw my attention. I actually did go trick or treating as the character complete with my fake knife and voice changer at a young age, further fuelling the fascination. I had wanted to see the Scream films for the longest time in the hope I would get absolutely terrified.  The opportunity finally came when I had not long turned twelve years old. The film was screening on Channel 4 in a late night slot and by then I had my own TV in my room which became the staple of late night horror movie watching. Whether consciously or not I had always gravitated towards darker media and have previously spoken about being freaked out by Nicholas Roeg’s The Witches (1990), re-watching Return to Oz (1985) and getting nightmares from an obscure CITV episode titled Frighteners (1996, TV) during childhood. However now was the time to experience some real, adult horror films, it was time to see if this highly anticipated movie would actually make me Scream!

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Instantly, I was impressed. Scream showcases some exceptional set pieces. It’s an exercise in pure tension that builds up really well before going for the jugular! The death scenes were well crafted and suspenseful but most of all the characters were multi-layered and easy to invest in. This was probably down to them being written with self-awareness which made them feel less generic. Neve Campbell plays Sidney as a final girl an audience can root for and gave an emotional performance. However the character who stood out the most was of course fan favourite Randy (played by Jamie Kennedy). Randy was the underdog, he never got the girl but what he did know was his horror movies and used his knowledge as a tool to survive, all these qualities make him endearing and to a degree somewhat relateable to horror obsessives. The “horror movie rules” party scene is cleverly constructed establishing that Randy is the character to take advice from in surviving a maniacal killer.

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The killer reveal is an absolutely twisted, jaw-dropping moment. It questioned the idea of does a killer really need a distinct motive to drive him/her to murder while the other side of it being rooted in pure revenge. The whole plot and build up of two years of torment from the killers is harrowing ending in a brutal cat and mouse game that leaves the audience reeling. Instead of being afraid of the on screen events I was deeply fascinated and realized it was possible for me to watch and enjoy horror movies. I’d tasted blood and wanted more!

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Scream was pretty much my introduction to the horror genre. It led me literally where I am today. It encouraged me to seek out all the films it referenced, I couldn’t wait to discover the fiendish frights of Jason and Freddy and from then on a whole lot more, there are so many great horror films I’m still discovering. Scream as a film and as a franchise has a very special place for many fans. It’s one of those where I remember exactly where I was and what I experienced when I first saw it. Twenty years on it’s still very much a significant film and a staple of the genre. Thank you Wes Craven, thank you Kevin Williamson for introducing me to horror and ultimately changing my life.

Happy 20th Anniversary Scream.

Hayley Alice Roberts

Hayley’s Horror Reviews.

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**Fifth Anniversary Review** Hayley’s Top 10 Favourite Horror Death Scenes Of All Time

Posted in Anniversary Pieces, Ghostface Girls, Love Horror with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 18, 2016 by Hayley's Horror Reviews

Five years ago I was a film and television student in my first year at University. I decided to start a blog as a side project separate from my studies. It began as a way to express my views on recent films both independent and mainstream that I’d seen from all genres. Naturally, the first review I ever wrote was of Scream 4 (2011) then eventually I made the site completely horror specific and Hayley’s Horror Reviews is what it is today. Several great opportunities have come my way since beginning the blog, including the chance to get to know and review the work of a number of talented filmmakers. I am now very lucky to be writing for the Horror Movie review site LoveHorror.co.uk and working alongside Caitlyn Downs (from Scared Sheepless) on our collaborative project Ghostface Girls where we provide festival video coverage and record podcasts. Our next event will be the UK’s Horror Con in July 2016!

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In previous years my anniversary reviews have covered My Top 10 Horror Films of all time (since 2011 it has more than likely altered!), Urban Legends on screen and behind the scenes, why we watch Horror Films and last year my favorite underrated slashers. This year I’m taking on a countdown of a subject I’m surprised I haven’t covered by now. It’s all about the visual effects as I reveal my personal favorite horror movie death scenes. Death scenes are at the core of horror movies, even if a film might be particularly badly executed sometimes the saving grace can be some good old splatter. On the opposite end of the spectrum sometimes it’s what you don’t see and what’s implied that can really get under the skin. There’s also nothing more heart-breaking for a horror fan than when one of your favorite characters is hacked to pieces leading to emotional trauma!

Here are my top Horror Movie death scenes of all time! Remember folks, as always its subjective.

There will be spoilers, so get that TV on if you haven’t seen any or some of these films and come back to this article.

**WARNING** This Article will include blood, guts, gore and strong language. Not for the faint-hearted! 

Comment below if you agree or disagree with my choices or tweet me on @Hayleyr1989.

10. Final Destination (2000): Terry Chaney is splattered by a bus!

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To kick things off is a death scene so quick and unexpected it’s pure brilliance! This moment marked the beginning of the darkly twisted sense of humour in the Final Destination franchise. Up until this point Alex Browning (Devon Sawa) and his friends have survived a harrowing plane crash and are grieving over the apparent “suicide” of best friend Tod (Chad Donella) whose brother died on Flight 180. Both scenes deliver a suspenseful build up with gruesome results. This moment however takes place in the middle of the day, Alex and love interest Clear Rivers (Ali Larter) are trying to figure out death’s design. Enter rival Carter (Kerr Smith) and girlfriend Terry (Amanda Detmer). Carter is convinced that Alex is to blame for the deaths of the plane victims as well as Tod but he soon gets more than he bargained for! While antagonizing Alex, his long-suffering girlfriend finally snaps. In an ironic speech, Terry speaks about never wasting another second of her life and states Carter should have better things to do than fight with Alex. She then utters the immortal lines of “you can just drop fucking dead!”. Backing into the road Terry is hit by an incoming bus and the remaining survivors recoil in horror as her blood splatters on their faces. It’s the twisted irony of this scene that makes it surprising and thrilling letting the audience know that anyone can go at any time by any means.

9. Zombie Flesh Eaters (AKA. Zombi 2) (1979): Eye Splinter Scene

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Even without context the eye splinter scene from Lucio Fulci’s notorious ‘video nasty’ Zombie Flesh Eaters is an iconic cinematic moment in horror. The scene is so sqiurmworthy as you (literally!) see it coming a mile off but it doesn’t let up on the suspense. Paola, the wife of Richard Johnson’s character Dr. David Menard is alone in the house when a zombie breaks in. Actress Olga Karlatos displays a genuine look of horror as her vulnerable character attempts to bombard the Zombie from entering the house. Unluckily for her she is dragged through the door and impaled right through the eye with a piece of splintered wood. Her eye is pierced right through in a masterful visual effect, we see the eye squelched and the object penetrate right through her skull!  The moment sets the tone for the carnage to come making it one of Italian Horror’s nastiest kills.

8. I Spit on Your Grave (1978): Blood Bath

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The second video nasty on this list. I Spit on Your Grave is unapologetically exploitative cinema centering on the brutal, unrelenting rape of a young woman. Aspiring writer Jennifer (Camille Keating) retreats to the backwoods as she works on her novel, but she is horrifically brutalized and gang-raped by a group of local men. However, it wouldn’t be a rape-revenge film without a nasty dose of payback! After some time has passed Jennifer is back tougher and stronger than ever as she sets about to seek vengeance on her attackers. In one of the film’s most gruesome scenes Jennifer lures ring leader Johnny (Eron Tabor) into her car, inviting him around for some wet, and bubbly fun…or so he thinks! Jennifer hides a knife under the bath mat and as she begins to seduce Johnny when he least expects it she takes a knife to his most sensitive area!! It takes him a few moments to comprehend what’s happening while Jennifer leaves him there to bleed to death. She proceeds to lock him in the bath room and makes her way downstairs while Johnny yells that he can’t stop the bleeding. She drowns his screams out with a nice bit of classical music. The scene is particularly disturbing as Jennifer allows herself to be in a sexual situation with her rapist. Johnny completely goes along with it showing what a horrendous character he really is. It’s so well executed and unsettling, making ‘blood bath’ from I Spit on Your Grave one of cinemas best revenge death scenes of all time.

7. Nightmare on Elm Street 3: Dream Warriors (1987): Welcome to Prime Time Bitch!

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There are many inventive death scenes in the most highly regarded Elm Street Sequel Dream Warriors but this one had to be selected as it captures Freddy Krueger’s (Robert Englund) darkly menacing, twisted sense of humor. While the Puppet Master moment and Needle fingers sequence are exceptionally creative and unique death scenes it’s difficult to overlook fame-seeking Jennifer’s (Penelope Sudrow) TV demise. This moment is fourth wall breaking and surreal as Freddy possesses the television, manifesting himself onto a late night talk show. The television turns static encouraging Jennifer to approach it. In a crazy visual effect mechanical arms emerge from the sides of the television, clutching Jennifer. Freddy materializes from the top of the television set sprouting antennas. He then smashes her skull through the television set uttering the iconic line “Welcome to prime time, bitch!”. The Elm Street franchise is known for its elaborate and creative death scenes that are more entertaining than a man in a mask just slashing with a knife. This scene is a solid example of how the franchise utilizes its special effects accompanied with quirky dialogue enhancing that when it comes down to Freddy Krueger anything is literally possible!

6. The Burning (1981): We’ve found our canoe!

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The Burning appeared on my list last year as one of my favorite underrated slasher films. It centers on a scorned caretaker who seeks revenge on the inhabitants of a summer camp where he suffered a horrific accident several years previous. It’s under the radar due to the success of Friday the 13th (1980) but then became infamous in the UK once it appeared on the Video Nasties list, and this death scene is the reason why! Tom Savini’s sensational gory FX during this scene cemented The Burning as being one of the first to receive it’s ‘video nasty’ reputation. A few of the camper’s head down the lake on a makeshift raft in order to fetch their canoe back. The typical teenagers argue while rowing but become excitable as they get nearer to the abandoned canoe. The scene is set up well using a sense of dread as they become closer and closer. No matter how many times you watch it and are aware what lies ahead it’s still shocking as the killer Cropsy (Lou David) appears from the canoe with his shears and the bloody massacre commences! This moment of the film features the image that appeared on the iconic cover art of Cropsy’s silhouette holding up the shears. It’s pretty harrowing as unlike the majority of slasher films the teenagers cast in the film genuinely look their age rather than having 25-year-old’s playing a 16-year-old’s. The fact that it takes place in broad daylight in an idyllic location makes this deadly moment even more horrific.

5. Hellraiser (1987): Jesus Wept

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This scene is one of my earliest, goriest cinematic memories and has made the list for being downright gruesome. At a young age this was one of the coolest death scenes in horror that I’d ever seen. It’s time for Uncle Frank (Sean Chapman) to get his just desserts at the hands of the Cenobites. Wearing the meat suit of his brother Larry (Andrew Robinson) he attempts to kill niece Kirsty (Ashley Laurence) in the attic but thankfully (as thankful as it gets in a horror movie situation!) Pinhead (Doug Bradley) and his demons appear ready to drag Frank’s damaged soul directly back to hell. Pinhead promised he had “such sights to show” us and this unrelentingly proved what the Cenobites were capable of. There’s an otherworldly presence to the scene with the bell chime ringing and the mist surrounding the attic. Hellraiser was famed for its dynamic make up effects, with Pinhead’s appearance making him an intriguing horror villain; but it’s Frank’s demise that is as grizzly and gory as it gets. As he raises a blade to Kirsty he is stopped in his tracks with a hook through the hand, chaining him to the Cenobites world forever. Hooks pierce his skin, tearing his face. As Kirsty recoils in sheer disgust Frank says “Jesus Wept” before being ripped apart, with blood and guts galore!

4. Inbred (2011): Dwight’s Dirrrrty Death!

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Over the past five years Inbred has become one of my favorite horror films. One of the several reasons is due to its creatively nasty death scenes. It stands out in what it does, with strong character development allowing the audience to empathize with its protagonists, as well as a twisted sense of tongue in cheek humor that equally puts us on the side of the villains. It’s somewhat of a black comedy but goes right for the jugular with a set of cruel and mean spirited methods of bumping off its victims. The warped villagers of Mortlake attend a show put on by local landlord Jim (Seamus O’Neill). Having already killed off one of the young lads involving vegetables and a horse, this time the Inbred’s capture Dwight (Chris Waller), the remaining protector of the group. Sacrificing himself for the safety of his care worker and fellow youth offenders, Dwight is subjected to a rather dirrrrrrty demise! Tied to a chair and forced to wear a wig, he is cruelly tormented by a man resembling a droog from A Clockwork Orange (1971) who proceeds to empty a hosepipe of shit down Dwight’s throat until he explodes all over the unusual members of the audience! It needs to be seen to be believed but commended for its use of old school FX over CGI giving us an old school backwoods bloodbath!

3. Der Fan (AKA. Trance) (1982): Killer Obsession

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Der Fan is a film I’ve mentioned a bunch of times on the site. An undiscovered gem that screened at Celluloid Screams in 2013, Der Fan enters unexpected territory with an unforgettable and bizarrely crafted death scene. A German Exploitation film, it pushed the boundaries with its female lead being played by a 16-year-old. Household name Desiree Nobuch of Radio Luxenburg fame played psycho fan Simone and did full frontal nudity in the film as well as acted out a scene of murder and cannibalism which certainly would not be done in cinema today! Simone sleeps with R (Bodo Steiger), a Gary Numan inspired pop star who she’s absolutely obsessed with. When reality bites and Simone becomes another used fan girl to R what happens next is completely out of the left field. In my original review I described it as one of the most “chilling and extreme” deaths in cinema. It’s lengthy, horrific, controversial and unsettling leaving the viewer feeling grubby once the credits roll, making it feel like a completely different film from the one that started. This is one I won’t spoil for you however if you’ve already had the experience of watching this underrated exploitation check out my original review.

2.Scream 2 (1997): Randy Meeks Death Scene

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Master team Wes Craven and Kevin Williamson taught us no one was safe in their iconic slasher-revival Scream. When Drew Barrymoore is killed off in the opening moments of a film it’s guaranteed that anything can happen! Scream 2 is the strongest sequel in the franchise as it raised the stakes. There are so many excellent set pieces in the entire film from the cinema slashing’s at the beginning to Sarah Michelle Gellar’s brutal demise being stabbed in the back and thrown out of a window; however, the death that really cuts close to the bone is that of Jamie Kennedy’s popular character Randy Meeks. Self-confessed “movie buff” Randy survived Billy Loomis (Skeet Ulrich) and Stu Macher’s (Matthew Lillard) reign of terror in the first installment closely following the horror movie survival rules. But even he knows that he could be disposable as a new Ghostface stalks the campus of Windsor College. Randy’s death scene is well executed and unexpected. The most shocking aspect is that unlike the previous deaths this one takes place in broad daylight. He is pulled into Gale’s (Courtney Cox) news van and stabbed repeatedly. It’s horrific as it goes unnoticed by crowds of people on the campus. The camera focuses on the van’s wing mirror as Randy is brutally killed, a group of students unknowingly walk by with a boom box drowning out his screams of pain! His bloodied face is then revealed. It’s tragic and heart-breaking as he never does get the girl and is a missing presence from the dynamics of the core characters. It’s certain that it’s Mrs Loomis (Laurie Metcalf) who murders Randy as she viciously attacks him for speaking “poorly” of her delightful son Billy in an act of revenge. The most ironic element of Randy’s death is because he knows the rules of a horror movie inside and out the killer cleverly catches him at the most unexpected moment and doesn’t wait until dark. Craven and Williamson kept the franchise fresh with surprises like this!

  1. I Know What You Did Last Summer (1997): Death of the Beauty Queen 

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What sets I Know What You Did Last Summer apart from its slasher counterparts is the well written and well-acted main characters. Sarah Michelle Gellar gives a tragic performance as Helen Shivers, the former Beauty Queen who loses her future after being involved in a hit and run and an ill thought out cover-up. After she witnesses the murder of her boyfriend Barry (Ryan Phillippe) at the hands of the psychotic fisherman; the police do next to nothing to help her. Helen’s death scene is harrowing as she almost makes it to safety. There’s a slow-paced build-up of tension from escaping a crashed police car to running for her life and hiding out in her sister’s store; Helen fights for survival. Her death isn’t shown explicitly but is incredibly effective and atmospheric set to a chilling score composed by John Debney. Helen falls from the stores window but then finds an alleyway leading to the 4th July Summer parade. Fireworks blast into the air and there’s a sense of relief; albeit momentarily, Helen then approaches the parade but becomes distracted and looks behind her. She is then face to face with the evil fisherman and slashed with his sharp hook amongst a stack of tires. There’s quick cuts, flashing lights and the sound of screams but one thing is certain, the true heroine of the film has met her demise. Helen’s body is later discovered by traumatized best friend Julie (Jennifer Love Hewitt) on the fisherman’s boat officially confirming there is no return for her within future films in the series. It’s Gellar’s helpless performance as the doomed young woman that hits hard with emotional impact. As sad as the scene is it’s essential to the progression of the film as many fans agree if Julie had been the one to meet her maker it wouldn’t have achieved the same upsetting impact. Helen’s death goes to show that you don’t need to go gory to execute an effective and gut-wrenching death scene.

As always thank you for reading and supporting Hayley’s Horror Reviews.

….

Hayley Alice Roberts.

He gave us Nightmares and Kept us Screaming! RIP Wes Craven

Posted in Press Release with tags , , , , on August 31, 2015 by Hayley's Horror Reviews

The Horror world awoke to a devastating shock today with the news of the passing of Wes Craven. In a career spanning over 40 years Craven has been an inspiration for genre fans and without him, horror will never be the same again. The legendary director created one of horror’s most iconic monsters in Freddy Krueger and went on to to direct the four films in the slick and post-modern Scream franchise. In the 70’s his début feature The Last House on the Left generated controversy cementing him as a filmmaker that was guaranteed to make his mark.

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Wes Craven’s films were an exercise in pure tension and fear, he pushed his audience to their limits; the gritty rape scene in Last House, Casey Becker’s death in the opening of Scream and Tina’s demise in A Nightmare on Elm Street along with the reveal of Freddy Krueger being just a few examples. His popularity continued in the late 00’s which saw his most iconic films get the remake treatment in mainstream horror, but of course they were no match for the originals! Craven’s legacy will live on through his films and fans. He truly was a Master of Terror.

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RIP Wes Craven, 1939-2015.

Hayley Alice Roberts

Hayley’s Horror Reviews.

**Fourth Anniversary Article** My Top Six Slaughter-tastic Underrated Slashers!

Posted in Anniversary Pieces with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 17, 2015 by Hayley's Horror Reviews

Slasher films; low-budget, gory-fuelled romps; masked killers lurking in the shadows ready to slash n’ hack their sexually charged teen victims who never ever learn their lesson!

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Despite being considered bottom of the barrel when it comes to our great genre especially after the 80’s mass saturation of endless sequels leading to never-ending franchises, there’s something that always brings us back to the slasher film. There’s the entertainment factor, the creative gore effects and on a deeper scale the social messages underneath the surface of all the blood, guts and sex! Let’s not forget that some of today’s most famous actors began their careers getting bloodied up by a super-human lethal killer, there’s that Depp bloke you may have heard of who’s done a few films here and there and that Kevin Bacon guy who is busy selling ‘the UK’s fastest mobile network’ these days; to name a few!

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Most will argue that the slasher reached its peak during the early 80’s; notably as Jason rose from the murky depths of Camp Crystal Lake for the third time. The slasher was  semi- revived in popularity again later in the decade with Child’s Play then most prolifically in the mid-90’s with post-modern hit Scream which has since paved the way for the train of remakes, spoof films and more a brutal type of horror in the shape of Saw, Hostel and The Collection from the mid 00’s to the present day.

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If it wasn’t for slashers I probably wouldn’t be the horror freak (I mean, fanatic!) I am today. It was discovering the Scream/Elm Street/Friday franchises at a young age that aided my growing interest in the genre. There was nothing better than coming home from school and watching the latest taped VHS of whatever slasher had been on TV the previous night instead of doing any of that boring homework stuff! For me, slashers represent nostalgia, escapism and fandom. To this day slashers still maintain a level of popularity, they prove increasingly marketable and continue to be revived. Thanks to films such as The Town that Dreaded Sundown (2014), Stage Fright (2014) and the Hatchet series (2006-2013) the sub-genre is alive and well and is slowly being taken in new, fresh directions! Slashers are pretty easy films to watch however there’s plenty lurking underneath the surface to interpret; there’s running themes of murder and revenge, a level of mystery and they are played out as cautionary tales for teenage viewers. There are always consequences for bad decisions. Slashers reflect a universal fear in society that are applicable to their cultural and historical contexts e.g casual sex in 80’s slashers used as a metaphor for the AIDS scare.

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Its been four years since I began reviewing so what better way to celebrate that take a look back at my personal favorite entries from the sub-genre that made me horror obsessed. This list will not contain the typical choices of Halloween, The Texas Chainsaw Massacre, A Nightmare on Elm Street etc. we all know they are critically-acclaimed and completely awesome and rightfully so! However, this list will contain films that are appreciated by a genre audience and have generated a cult following over the years but are not as well regarded among the mainstream. Some films included also may have been popular on their original release but have since gone under the radar. So here it is, Hayley’s Horror Reviews most beloved slasher films.

**WARNING: Will contain Spoilers!**

6. Prom Night (1980)

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Prom Night is what happens when you capitalize on the popularity and cast the star of hit slasher Halloween in order to create low-budget Canadian horror flick. Filmed over 24 days during 1979, director Paul Lynch struggled to achieve finance for his movie about a massacre circulating around a high school dance; that was until Jamie Lee Curtis who was making a recognizable name for herself as the final girl of horror at the time came on board as Prom Queen Kim Hammond. Paramount expressed an interest in distributing the film however would only give it a limited theatrical release whereas Avco Embassy offered a much wider release in which Lynch decided to go with. Also starring Leslie Nielsen, Prom Night was popular around the drive-in theater circuit and was somewhat financially successful upon its release in 1980, making it Canada’s highest grossing horror movie of the year.  Its a classic tale of revenge, a prominent theme of the Slasher. Six years before the main events take place a young girl is taunted and accidentally killed by a group of mean-spirited kids and the blame is placed on a local pervert who is arrested for the crime, flash forward to the ‘present day’ of the movie and someone has bloodthirsty revenge on their mind; but the question is who saw the “accident” and knows what they did?

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Halloween’s Producer Irwin Yablans advised Lynch to center the film around a seasonal setting, building on the success of the  John Carpenter classic. Lynch opted for the prom scenario and tied the his premise around a story written by Robert Guza Jr. that told the tale of a tragic accident that had come back to haunt the children who were involved several years later. Prom Night has the classic makings of a traditional slasher but it has its own unique tone. What’s most striking is it builds up the characters and plot slowly, introducing us to the self-righteous teenagers who are about to get more than they bargained for. Essentially, its what happens when you cross Carrie with Saturday Night Fever, which is an apt description as there’s plenty of disco galore and polished choreographed dance sequences that sort of stall the carnage but creates a kind of spectacle. If you enjoy blood and dancing, like myself, Prom Night is one for you! While not as popular as its contemporaries, genre fans will take something from it as one of the more underrated slashers of the early 80’s that knew how to exploit the slasher movie marketing machine!

5. Scary Movie (2000)

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Scream set the rules, then generated dozens of copycats. Some really held up prominently I Know What You Did Last Summer and Urban Legend while too many to name fell flat. The concept had been taken so far and in the four years since its release, the slasher was dying out once again. Something needed to come along and shake things up and thanks to the comedic talents of the Wayans brothers, that something certainly did! While not the first slasher spoof, Student Bodies (1981) takes that crown, Scary Movie is hip, crude and satirical of the contemporary horror of that period. You will never be able to watch Scream, Last Summer, The Matrix and The Blair Witch Project in the same way again!

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Scary Movie cleverly weaves the fantastical story mainly poking fun at Scream and Last Summer, while being non-stop hilarious throughout. There are some genuinely amusing critiques, the characters ponder about who would be cast to play them if they were in a slasher movie; they comment that actors in their late 20’s-early 30’s would be the most likely candidates, creating an awkward exchange with that being the cast’s actual ages! Shannon Elizabeth’s aptly named Buffy Gilmore possibly has the best death scene, she fails to take the killer seriously, critiquing how a typical death scene in a slasher will go as she’s hacked to pieces until she’s a talking severed head!  Regina Hall equally steals the show in a too funny for words parody of Jada Pinkett-Smith’s Scream 2 murder scene and Marlon Wayans is completely memorable as loveable stoner Shawty. While its a product of its time by today’s standards, who still remembers the “Wassup” Budwiser advert that gets the parody treatment?! For fans you’ll be surprised how hilarious it really is even fifteen years later. A batshit blend of laughs and gore, Scary Movie poked fun but manages to be an entertaining and outrageous comedy that literally slashes the fourth wall!

4. Friday the 13th: The Final Chapter

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Well what a misleading title! In all fairness, in the documentary Camp Crystal Lake Memories its stated that the intention was to lay the tormented Jason to rest once and for all after this instalment! But if something is profitable then why stop?! The Final Chapter picks up where Part III left off. Jason (played by stuntman Ted White this time around) is presumed dead is rushed to the morgue only for him to rise off the cold slab and brutally slay an unsuspecting nurse and frisky doctor! Immediately The Final Chapter ups the gore spectacularly with each kill proving more blood thirsty than ever before. Some kills come off as repetitive e.g. horror’s fixation with shower murders that inevitably aren’t as shocking as Psycho (1960) was but these are certainly some of Jason’s goriest moments. Its thanks to the return of FX master Tom Savini who effectively returned to finally kill off his own creation. Typically, The Final Chapter does feature a group of self-absorbed, horny teenagers with one thing on their minds but it also shifts the focus to a family staying at the camp. Divorced mother Mrs Jarvis (Joan Freeman), her teenage daughter Trish (Kimberly Beck) and young son Tommy (Corey Feldman) bring in a new dynamic, representative of the changes in familial roles in America that were emerging at the time, notably the father is absent in the film. A metaphorical external fear is present with Jason lurking in the backdrop of the family’s separation and it paves the way for Friday’s original theme of the protective mother figure to be incorporated.

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Corey Feldman is brilliant as the young Tommy Jarvis, establishing his status as one of the franchises most popular characters. He is the first pre-teen to be featured in the Friday series and his character single-handedly breaks the traditional final girl convention by being the one to ultimately defeat Jason and protect his older sister. His performance is genuine and brings in authenticity, he was actually frightened during the scene where Jason grabs him through the window. The Final Chapter is iconic in its own right, it continued Jason’s hockey mask legacy that began in Part III, it also confirmed Mrs Voorhees’s (Betsy Palmer) first name as Pamela, as seen on her graveside as the teenagers drive to Camp Crystal Lake. Finally, Crispin Glover starred as the awkward Jimmy Mortimer pre-Back to the Future fame. The Final Chapter is my favourite instalment for the grizzly gore effects, the shift in dynamics, the return to the Jason POV shots instead of the stepping into the frame style they used in Part III, it bravely having a young boy take on Jason and its ambiguous ending.

 3.The Burning (1981)

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Tom Savini turned down Friday the 13th: Part 2 to bring his splatterific, gory visuals to life in 80’s camping slasher The Burning. Taking inspiration from Peeping Tom and the slew of similar films that were consistently being churned out during the decade (its been debatable that it was in production the same time as Friday 1), The Burning was certainly ahead of its time featuring a killer audiences were able to empathize with. Bizarrely, it found itself banned in the UK under 1984’s video recordings act due to the graphically violent and now infamous raft scene. It challenged typical conventions in regards to pre-marital sex, it was much more self-aware than the films that came before it and also featured a final boy instead of the final girl slasher staple. I wrote extensively about The Burning during one of my Halloween Month specials which can be read here. I also discuss The Burning in the context of the Video Nasties panic in this video:

2. Tourist Trap (1979)

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Stephen King took the words right out of my mouth; in his book Danse Macabre he describes Tourist Trap as an “obscure classic”. J A Kerswell, who wrote my favourite guide to the slasher ever, Teenage Wasteland referred to it as “an interesting sub-genre film”. Both are incredibly valid statements. Unlike Halloween released a year previous, Tourist Trap doesn’t have the mainstream appeal but there’s something so freakish about it you won’t be able to take your eyes off the screen. Possibly used as the primary inspiration for 2005’s non-remake of House of Wax, Tourist Trap sees five teenagers become the victims of a deranged psychopath with telekinetic powers who lures them to his run-down Wax museum located  in the middle of nowhere.

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Aside from the undeniably creepy visuals that see wax figures come to life entering into uncanny valley territory, what’s incredible about Tourist Trap is its use of sound. Italian composer Pino Donaggio creates an otherworldly sense using breathy female vocals for the mannequins that proves effective. The sound effects are the film’s most outstanding factor, a bizarre atmosphere is created placing a sense of unease for the audience throughout, without its strangeness diegetic sound the film certainly wouldn’t have managed the same impact. Tourist Trap has a considerably small core cast creating an isolated and compact feeling. Chuck Connors is unforgettable as the ambiguous Mr Slausen, who is definitely a fascinating slasher villain. We discover his back-story is again cemented in the slasher’s favourite trope of revenge however he is phenomenally creepy in his methods of murder. One victim Tina (Dawn Jeffory-Nelson) meets a painful end by having her face slowly covered with wax, her skin is burned and she is suffocated. The whole film’s tone, including the death scenes has something so mean-spirited about it! Many genre fans will say Tourist Trap needs to be seen to be believed. Its a truly fantastic, bizarre and mesmerizing slasher film that wholly deserves its cult status.

1. Sleepaway Camp (1983)

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Happy Campers gather round as we take a look at the best underrated slasher film of the 1980’s (In my humble opinion, of course!). Instead of a masked maniac slicing and dicing his victims, Sleepaway Camp offers a whole new kind of killer, the mysteriously sweet, thirteen year old and trans-gender Angela (Felissa Rose). A tragic accident occurs in the opening sequence that sees a young child killed, years later cousins Ricky (Jonathan Tiersten) and Angela are sent to Camp Arawak for the summer by Angela’s eccentric Aunt (one of my stand out performances in any film of this kind!). At the camp, a bloody rampage begins, which sees a bunch of young teens with enraging hormones and the corrupt staff slaughtered! Sleepaway Camp weaves in some taboo themes which were becoming prominent within society during the 80’s. Both gender and sexuality are explored along with bullying and familial issues. Strong hints are evident throughout the film in regards to Angela’s anxieties and motive with the symbolism of phallic objects used as murder weapons, hair straighteners anyone?! Sleepaway Camp heavily uses POV shots, conveying that the killer could literally be anyone, cleverly masking Angela’s reveal until the shocking end!

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The film is mainly overlooked due to its low-budget feel and hammy acting (more so from the adults!) but this film and its subsequent sequels have an endearing quality to them, even Return to Sleepaway Camp (2008) which is pretty laughable, in a good way! The sequels starring Pamela Springstein as Angela are also amazingly fun to watch, especially Sleepaway Camp II: Unhappy Campers (1988).  It pushes the boundaries in regards to actually featuring characters playing their ages, a risky move for the sub-genre at the time having a cast so young in a film of this kind. Sleepaway Camp is pretty much an enjoyable entry in the sub-genre. The killer’s identity is unexpected and fantastically twisted. Angela endures cruelty at the hands of the more ‘well-developed’ campers especially Judy (Karen Fields) who utters the quotable line, “She’s a real carpenter’s dream: flat as a board and needs a screw!” adding to the tension and building on Angela’s insecurities, therefore its no surprise that she snaps! Sleepaway Camp is distinctive in its own right. Its memorable enough to be beloved by its fans and is extraordinarily warped.

Hope you’ve enjoyed my trip down slasher movie memory lane. Here’s a big thank you to everyone who follows and supports my site as well as the other side projects I’m involved in. You’re why I keep on writing about the movies I adore. Here’s to another four years of blood, guts and gore!

Hayley Alice Roberts.

Hayley’s Horror Reviews.

Welcome to the Witching Hour…(Again!)

Posted in Press Release, Women in Horror Recognition Month with tags , , , , , , , , , , , , , , , on May 14, 2015 by Hayley's Horror Reviews

So I was pretty much unhappy about the I Know What You Did Last Summer Remake and I’m equally disheartened by the news of teen, cult favourite The Craft getting the same treatment. Its despairing that Hollywood are officially completely out of their own ideas and seem to be reaching back to the glory days of the 90’s in order to replicate some of the most popular movies of the decade.

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To Recap: Sarah (Robin Tunney) enrols at a new Catholic Prep School where she is befriended by a trio of outcasts led by the dark and twisted Nancy (Fairuza Balk). She learns that the girls practice witchcraft and begins to explore her own strength and powers. The whole school is no longer safe as their coven conjure up a series of malevolent curses and spells on anyone who dares to cross them.

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Also starring Scream’s Neve Campbell and Skeet Ulrich as well as Rachel True, Andrew Fleming’s The Craft took on some serious and affecting topics such as racism and self harm. Most notably the song “How Soon Is Now?”, a cover of Morrissey performed in the film by Love Spit Love was used before it was made famous in the witch themed long running WB series Charmed.

The talented, up and coming genre name Leigh Janiak is set to write and direct. Janiak has received critical acclaim for her mysteriously haunting debut feature Honeymoon, which manages a disturbing, psychological impact about a couple on a romantic getaway that turns horribly wrong. A film that deals with powerful female characters is the ideal material for Janiak and its hopeful that The Craft will be safe in her hands with her ability to write two-dimensional, believable characters. That said, it would be far more interesting to see Janiak work on her own ideas. She will also be directing an episode of Scream: The TV Series, coming soon, more proof that we can’t let go of the 90s.

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In 1996 The Craft proved to be a sleeper hit and is ultimately a cult classic amongst its audience. It made $6,710,995 at the North American Box Office when it opened. Fairuza Balk gave an unforgettable performance that will be difficult to match.

Everyone is all for nostalgia these days especially on platforms such as Tumblr and Buzzfeed, but we already have these movies to look back on, The Craft hasn’t even had its 20th anniversary yet!

Its time for some fresh ideas to make marketable as what will happen when there’s nothing left to remake…?

Hayley Alice Roberts

Hayley’s Horror Reviews. 

Halloween Month: Halloween: 20 Years Later, H20 (1998)

Posted in Halloween Month with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 15, 2014 by Hayley's Horror Reviews

It wouldn’t be Halloween month without a revisiting a film from this well-loved franchise. This time round we’re swapping Haddonfield for sunny California; where Laurie Strode returns under a new identity for a showdown with her murderous long-lost brother, 20 years after the night HE came home. Halloween: 20 Years Later or most commonly referred to as H20 (easily confused with the chemical name for water!) unsurprisingly returned to the slasher screen following the resurgence in popularity for the sub-genre thanks to Scream. Miramax’s genre based film company Dimension garnered success with Scream and also owned the rights to the Halloween franchise so it made perfect sense to attempt to generate another horror hit. Considering fans were disappointed with the outcome of the sixth film in the franchise, The Curse of Michael Myers following negative feedback at test screenings that resulted in cuts, another film in the series was therefore a must.

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Twenty years following the Haddonfield Halloween Massacre, Michael Myers breaks into the home of Dr. Sam Loomis and steals confidential papers that contain information about his long-lost sister’s whereabouts while slashing his way through some brand new victims including Joseph Gordon-Levitt in an early role. Now, we’re in the post-Scream era, there needed to be a big important opening death scene to convey that anything can happen. Nurse Marion Chambers (Nancy Stephens) Loomis’s nurse in the first film was therefore one of the first to be butchered by Michael. Under the new identity of Keri Tate, Laurie is now a headmistress at Hillcrest Academy, still living in fear of the traumatic events she suffered at the hands of Myers while raising a teenage son and turning to alcoholism to cope. Soon enough Laurie is confronted by her past as Michael continues to kill until he gets to her.

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In the late 90’s every slasher poster was constructed by featuring images of the cast posing with their ‘afraid faces’ at the forefront, spawned after the success of Fisherman stalk n’ slash flick I Know What You Did Last Summer. Typically a famous rapper of the time (in this case LL Cool J) would also star and be a main attraction on the cover to y’know be hip! In all fairness LL Cool J gives an entertaining performance in the movie, much better than Busta Rhymes in Halloween: Resurrection but we’ll talk about that insulting film later!

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While it wasn’t the worst idea in the world to resurrect this franchise and provide the grizzly showdown fans had been waiting for, H20 goes by in a blur with a short run time of 86 minutes, making it the shortest of all the Halloween movies to unsatisfying effect. There’s heaps of potential there to explore while placing the story in a 90’s context. Laurie Strode’s arc is strong, Jamie Lee Curtis packs a punch in her performance and updates Laurie from frightened teenager to a headstrong but damaged woman. Ultimately, H20 is Laurie’s story however the inclusion of younger teen characters didn’t bring as much depth as it could have which has its short run time to blame; causing the film to feel rushed and underdeveloped. Fresh off the new teen show at the time, Dawson’s Creek, Michelle Williams starred as Molly Cartwell. Williams is the one actress in the film that didn’t receive enough screen-time which was a shame considering how talented she is, there was potential for a new scream-Queen in the making rather than just the ‘girlfriend’ archetype. To its credit, while slightly bloodier than the 1978 original, H20 didn’t go down the gratuity route with the camera lingering on gruesome death scenes like studios had insisted on with previous sequels in order to keep up with horror trends. It managed to keep the spirit of Halloween while generating its own edge to determine that a Halloween movie could translate into post-modern 90’s horror.

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In general the Halloween franchise is a problematic mess in terms of its story arc. H20 decisively ignored the presence of IV, V and The Curse of Michael Myers. Part IV indicated that Laurie Strode had died in a tragic accident leaving a daughter she had around 1980 in the care of foster parents. Her apparent husband only referred to as Mr. Lloyd was also killed. Clearly the idea was to awaken the terror all over again, ten years after the Haddonfield massacre with Laurie 2.0. Same story, different characters with links back to the original. Young Jamie Lloyd (the first horror role for Danielle Harris) was subsequently targeted by her psychotic uncle throughout the span of three films. Jamie (later played by J.C. Brandy) eventually met her demise in the sixth part, The Curse of Michael Myers, prior to that she had a child.

Jamie Lloyd, Laurie’s forgotten daughter.

 

In H20, its revealed that Laurie faked her own death to escape her evil brother all those years ago. There’s no mention of the daughter she would have practically abandoned or the notion of a grandchild, however as mentioned Laurie does have a teenage son John Tate (Josh Hartnett). John is seventeen in the film to make it all the more fitting that he’s the same age his mother was when she was originally targeted by Myers. The time span between Laurie faking her own death and then having another child doesn’t really add up, considering John would have been born in 1981.  It has been said in  Kevin Williamson’s (Writer of Scream & Scream 2) original idea, there was to be a scene where the Jamie Lloyd arc was acknowledged. A bitchy student at Hillcrest Academy reads out a class report on Michael Myers reign of terror discussing what happened to Jamie. The revelations become too much for Laurie, who is seen to flee the classroom to throw up. Many fans tend to place the 1978 movie, 1981 sequel and H20 as in canon with parts 4-6 set in a separate universe while avoiding the horrible Halloween: Resurrection completely.

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Laurie’s seventeen year old son, John Tate.

 

The idea for Halloween: 20 Years Later initially came about when Jamie Lee Curtis expressed interest in developing a movie to mark the anniversary of one of slasher film’s greatest. Excitingly John Carpenter was named as a possible director and Curtis eagerly wanted to collaborate with him again. Carpenter did agree to direct but with a starting fee of $10 million which he deemed as fair after some financial problems with the revenue following the original Halloween. His salary for H20 would have been his compensation however when he was refused the money he made the decision to step away from directing a further sequel. The directorial reigns ended up in the hands of Steve Miner, director of Friday the 13th Part II and III. Its possible that if Carpenter had been director then fans may have experienced an even better film than the final product despite Miner’s horror background.

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As previously mentioned the initial treatment for H20 was written by Kevin Williamson. Known for his edgy and witty dialogue and ability to challenge horror conventions incredibly well. If Williamson had written the finished screenplay and teamed up with Carpenter as director, much like his pairing with Wes Craven two years previous then H20 could have been even bigger than Scream. There were attempts in H20 at being meta. When the characters of Sarah (Jodi Lynn O’Keefe) and Molly (Michelle Williams) are preparing for their Halloween party, the scene where Cici Cooper (Sarah Michelle Gellar) is terrorized by Ghostface in Scream 2 plays on the television. The purpose of this was to break the fourth wall. In Scream, Jamie Kennedy’s character Randy Meeks dissected and analysed the first Halloween film as part of constructing the rules of the horror genre. Incorporating the Cici death scene in H20 came as a homage. Originally, it was said that Sarah and Molly were to be watching So I Married an Axe Murderer (1993) with an in-joke that they were watching a film starring Mike Myers which in terms of irony works a lot better. The Scream 2 clip was added in post-production as a nod to Williamson’s involvement.

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Another reference to Scream is where Laurie tells her son and his girlfriend to “go down the street to the Becker’s house” which is of course referring to Drew Barrymoore’s short-lived character Casey Becker who spectacularly opens the first Scream movie. However in Halloween, there is a similar line which is “go down the street to the McKenzie’s house”, it was also uttered in the Barrymoore death scene. The most meta aspect of all was the casting of Jamie Lee Curtis’s real life mother Janet Leigh as her secretary Norma. Leigh was of course famous for her portrayal of Marion Crane in Alfred Hitchcock’s masterpiece, Psycho (1960) and is even accompanied with the original car from the legendary film. Having these two appear together in the film is a real joy for fans especially with the tongue-in-cheek dialogue between them. Curtis and Leigh had starred alongside each other in John Carpenter’s The Fog (1980) however their characters did interact as much, sharing only one scene to my recollection. P.J. Soles was asked to play the role of Norma Watson initially but was sceptical toward the idea of playing a different character to Lynda, her character from the 1978 film who was killed off.

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John Ottoman composed the score for this instalment but was however displeased after part of the Scream score by Marco Beltrami was placed in during post-production as producers opted for a darker, 90s slasher edge. The inclusion of Mr Sandman performed by The Chordettes to open the film on the Dimension logo added in a nice touch and brought in a reference to the old school Halloween. Another controversial aspect of production that was discussed in documentary Halloween: 25 Years of Terror (2006) was a dispute regarding the masks used for Michael Myers. Several re-shoots were done with a CGI mask inserted over footage of Chris Durand (The Myers Actor) and in total 4 masks were created.

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H20 opened  in the August of 1998 to a mix of reviews. Many were disappointed with its ignorance of previous instalments while other criticized its slow pace. It is a difficult film to watch considering the knowledge of what came after it especially with how final this film feels. Laurie’s battle with Myers is one of epic proportions, providing the satisfying closure the series deserved as she unapologetically slays him with an axe. It is considered one of the more favourable sequels and is second highest grossing instalment within the franchise, next to Rob Zombie’s 2007 remake.  As a stand alone it has its moments. The cinematography is stunning, romanticizing the Halloween season, capturing the holiday incredibly well. Even though underdeveloped the young cast do well with the given material. Josh Hartnett is believable as Cutis’s teenage son and Curtis herself delivers a phenomenal and unforgettable performance.

Laurie face to face with her evil brother is one of the film’s most iconic moments.

H20 is one to watch this Halloween because despite its flaws it wouldn’t be Halloween without it and it has Laurie Strode kick some psychopath ass!

Hayley Alice Roberts.

Hayley’s Horror Reviews.

What happened in 97′ should stay in 97′! Thoughts on the Re-boot.

Posted in Press Release with tags , , , , , , , , , , , , , , , , on September 20, 2014 by Hayley's Horror Reviews

**Contains Some Spoilers**

I Know What You Did Last Summer has always been somewhat of a guilty pleasure. Released in 1997 hot on the heels of the teen slasher revival thanks to Scream (1996), IKWYDLS showcased a young, talented cast of the time including Sarah Michelle Gellar and Ryan Phillipee; arguably the film is filled with nonsensical plot-holes and unbelievable scenarios but still manages to engage the viewer. Maybe nostalgic tainted glasses are at play here but there is something about the tone of the film that comes across at unnerving and is what it is a cheesy slasher that takes itself too seriously at times.

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Originally a teen thriller 1970’s novel by Lois Duncan, the film version was far removed from what the book intended. In Duncan’s novel four teens Barry, Helen, Julie and Ray are involved in an accidental hit and run resulting in the death of a young child, without giving too much away the teens are targeted by a mysterious stalker in which the novel culminates in a heart-pounding satisfying finale that unfortunately would be difficult to translate over to film. In Kevin Williamson’s script, the teens led by popular actress Jennifer Love Hewitt as protagonist Julie James are also involved in a hit and run but with that of a Fisherman with a dark secret who manages to return from his shallow grave to warn the teens he knows and wants revenge! Ben Willis is more or less an unmemorable villain and terribly hammy, failing to match the heights of Michael Myers, Freddy Kruger and even Ghostface he is mostly forgotten.

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Lois Duncan was less than impressed at the ‘hot new slasher movie’ in town. Sitting in the cinema back in 97′ she was disturbed to discover her mystery thriller had been transformed into a typical horror movie featuring young women in danger, some even ending up killed. This was in bad taste considering Duncan’s daughter had been brutally murdered back in 1989.  This in-depth article covers the tragic story of a mother’s anguish in bringing her daughter’s killers to justice. Williamson himself wasn’t completely at blame here. In his original script that was potentially in the works before he hit the big time with Scream, he had treated the film as a suspenseful thriller where no slashing took place until much later on. As expected this didn’t test well with audiences therefore director Jim Gillespie had to go back and shoot a death scene for minor character Max (Johnny Galeki) to satisfy audiences blood-thirsty taste buds and up the ante to determine Ben Willis really meant business.

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While popular in its time, the film grossed $125,586,134 at the Box Office and won a few awards e.g. MTV. An awesome soundtrack featuring tracks from Korn, The Offspring, Type O Negative and Hooverphonic was released.  Despite Sarah Michelle Gellar’s powerhouse performance as Helen Shivers and believable chemistry with Ryan Phillipee’s Barry Cox, I Know What You Did Last Summer isn’t a film that’s heavily discussed among the horror community as its simply a product of its time much like a slew of forgettable 80’s Slashers that emerged following Friday the Thirteenth etc.

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News just in Oculus director Mike Flanagan is penning a new script in plans to re-boot the movie which in itself seems quite random. Flanagan has stated he will not be directing or producing however original producer Neil H. Mortiz is said to be on board. Oculus may have done commercially well however among the convoluted plot it didn’t come across as anything that hadn’t been done before therefore I suspect a remake of IKWYDLS won’t be a vast improvement on the original. Flanagan is supposedly going to create a screenplay closer to the original book which is completely problematic.

As a franchise it failed, the sequel I Still Know What You Did Last Summer was rushed out in 1998 and left viewers on a cliffhanger and a 2006 straight-to-DVD monstrosity I’ll Always Know What You Did Last Summer followed and that was that. Various rumours emerged over the years that Love Hewitt and Freddie Prinze Jr would return in a follow-up particularly after Scream 4 but nothing was made concrete regarding the title until now.

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 No casting information has been revealed as of yet but the film is allegedly planned for a 2016 release, it will be interesting to see how this project develops despite how unnecessary it seems. Remakes are just tiresome and Hollywood has killed the horror genre. What is ultimately a product of the 90’s should stay in the 90’s…what next are we going to see a remake of Urban Legend?

 

Hayley Alice Roberts.

Hayley’s Horror Reviews.